#SONNOX OXFORD REVERB MAC OSX#
#SONNOX OXFORD REVERB FULL#
#SONNOX OXFORD REVERB PRO#

Mac OSX 10.4 or later (including Leopard).

VST compatible application (Cubase, Nuendo, Acid etc.).

Audio Units compatible application (Logic, Digital Performer etc.).

(Leopard supported see Digidesign for details)

#SONNOX OXFORD REVERB PRO#

Approved Pro Tools CPU, OS and hardware configuration.

An IN button on each section allows the effect of its control settings to be auditioned. In addition, the LF and HF sections include 'shelf' and filter functions. The EQ processing preceeds just the reverb processor, and has no effect on the dry signal.Д®ach of the 5 sections allows control of GAIN (boost & cut), FREQ(uency) and Q with 'bell' characteristics. The 100% WET button selects the output of the reverberation processing only.Д¬licking on the EQUALISER tab reveals the EQ controls. The WET/DRY fader x-fades between the dry signal and the complete reverberation processing. The REVERB MIX fader x-fades between the early reflections process output and that of the reverb tail process. Whereas maximum diversity spreads the reverb spacial effects equally Lowest value gives the greatest centre weighting, narrowing the reverb, TheДIVERSITY fader provides control of frontД¬entre weighting which helps to anchor the reverb to centre stage. Increased absorption is reminiscent of soft furnishings and drapes. The PHASE MODULATION fader controls time related variance to the to the reverb character for enhanced realism.ДЇader controls high frequenxy roll-off, hardness and sofrtness, where Have inverse polarity, which tends to extend the sound field. Negative values create wider range dispersion where some components Positive values create moreД¬oherent dispersion components, sounding smoother and more natural. The PHASE DIFFДЇader operates in conjunction with dispersion, controlling the speed ofД«uild-up of differential phase components. NoДispersion effect takes place with the fader set centrally. Increase dispersion, but with greater left/right differential.

Positive values increase dispersion and negative values also The DISPERSION fader controls the rate andД«uild-up of dispersion behaviour, character and sonic texture over Whereas for smaller settings, the build-up is much faster with greater Larger size settings cause a slower density build-up, The OVERALL SIZEДЇader, independent of reverb time, sets the build-up and density of the

The REVERB TIME fader sets the time in seconds for the reverb signal to drop to -60dB. It takes signals mixing between the COMP DELAY fader output and the ER MIX fader output. The TAIL INPUT fader is the final x-fade mix which feeds the reverb tail processor. The ER MIX fader provides a x-fade mix between the dry input signal and the output of the early reflections processor. X 2 the room size is available below and above the central X 1 setting. If the ER TRACKД«utton is selected, then it tracks the early reflection room sizeД®xactly if the fader is set in the middle. The COMP DELAY fader sets the time after which the the reverb tail starts. The ABSORPTION fader controls high frequenxy roll-off, where increased absorption is reminiscent of soft furnishings and drapes. The PHASE SELECT button selects the phase of the feedback and its diffusion, characterised as softer or harder reflections. The FEEDBACK fader sets the proportion of reflected signal that is re-circulated. Maximum, all reflections will have equal level, irrespective of pathДЄmount reflection density and echo complexity due to re-injection ofДistributed sound within the simulated space. Settings will cause more distant reflections to be quieter, whereas at Separation is increased from normal, goingД¬ontrols the loudness of reflections in relation to path lengths. The room proportions remain as the size is adjusted.ДЇader sets the stereo separation of room reflections with normal The SIZE fader sets the front to back distance for the room. The POSITION fader selects the listening postion on a central front to back axis. When setДЄt 0.0, the low frequencies are completely unaffected.ДЇour SHAPE buttons allow basic 'virtual room spaces' to be selected. To the reverb processor, but does not affect the dry signal.

#SONNOX OXFORD REVERB FULL#

The stereo width, with variation from full stereo to mono.ДЇader allows reduction in low frequency content for the signal passed The STEREO SEPARATIONДЇader allows the left and right signals to be mixed in order to reduce The INPUT GAIN fader sets the level of signal fed into the reverb process.

Sonnox oxford reverb